[Sebastián Salado; The 3 Heads of the Elephant]

The meaning of the Word:

The word written is the alive inheritance of the cultures and ancient civilizations, it constitutes invariably the base of the pyramid of the Human Race. Its signs and symbols represent the boom or decadence of cultures and vanished civilizations that have past already so long , only some remote and deformed legends are the unique thing that remains of them, gone to sleep these in the dark corners of the historic mind of the modern men.

Those legends and the word that gives life, represent the primitive stone spun of the great pyramid, which lie down buried into great depth under the sand of the desert. The Lost Civilizations are the steps on which the new cultures are built, in which ours culture is based on. And thus, in the maturity of the times, we can say that the civilizations that despises its ancestors does not know anything about itself…

The human culture advances –when it does not go back-, little by little, step by step, and the men almost never remains about ‘The Builders', those that placed the first spun of stone on the base of the items that our proud civilization is raised. Those beings built their Truth with so gigantic stones that nowadays, they seem us myths, simple unreal fables that safeguard the smallness of our works to disguise the vertigo of the passed greatness.

¿Which is its origin?

The language  as representation of ideographical concepts has its own base in the term of Hierogram or Hieroglyphic applies to the writing, in which, as a general rule, does not represent the words with phonetic or alphabetical signs, but the meaning of the same is composed by figures or symbols. The common type of Hieroglyphic that is known at present is the one that stems from the Egyptians, Hinduism, Mesopotamian and other old towns that used this kind of writing mainly in the monuments.

Likewise it is associates this term to each one of the characters and figures used in this kind of writing.

The concept ‘Hieratic' (Great or Sacred) is confused with ‘Ideographic' (representation of ideas) when it is spoken about the Hieroglyphic language. The cultures originated from the Races Third (Lemurian) and Quarter (Atlantis-Mú) possessed a rich language Ideographic, as corresponded to the intellectual ability not yet developed completely. Thus we can observe at present the ‘gliptolitos' discovered by the doctor Cabrera Darquea in Ocucaje, situated in the plains Nazca in Peru, pertaining to the Lemurian epoch, and also the ones pertinent to the old civilizations of the Indus in the cities of Harappa, Mohenjo, Daro and Chanju Daro; dated approximately –according to the official archeology- in 3000 years B.C., but which in reality correspond to the age immediately subsequent to the flood, when  the continents of Atlantis and Mú disappeared.

On this point we cannot stop recalling at the colonel of the British army James Churchward, theosophist and investigator schoolfellow of madam Blavatsky; and also as discoverer and defender of the evidences that configure the modern esoteric theory of the existence of the continent of Mú.

James Churchward, to the season British colonel with destination in the British Colonial India  at the ends of the 19th century, carried out a great quantity of trips and investigations all over India, Siberia and Mongolia in searching of the archaeological evidences of the Uighur alphabet in which he himself assures there are writings about the mysterious secret of the Naacals files, identified as the last relics of the submerged continent of Mú. James Churchward relates in their books, the story when a ‘rishi' showed him in the India, some ancient boards kept in the secret cameras of an arcane Hindu temple, which were engravings in a ideographic language strange at all, according to him, the priests counted in the temple, that they formed a tiny portion of the treasures rescued by the Naacals before the cataclysm that submerged the seven sacred cities which existed in the continent of Mú.

Churchward traveled also since the India to Mesopotamia, Syrian and Egypt in search of the evidences and traces of the old pre-diluvian

Subsequently, to its works, many investigators, archaeologists and scholars have found an endless number of tests and archaeological discoveries among the ones finds the 270 figurative pictographical characters found in soapstone seals multitude during the excavations in the archaeological ruins of the cities rivers dwellers of the Indus, situated in the regions of the Sindh, Lothal and Gujarat. In Mesopotamia, the archaeological ruins of the cities antediluvians of Eridu, The Obeid, Uruk and Djemdet wakes with characters are found ideographic of similar cut to the Hindustani rescued from among the remainders of their colossal buildings of terraces and temples.

But the most curious is the fact that these characters are found widespread from Pascua Island to Peru, Central America and Mexico in a great quantity of symbolic and simple forms that always accompany to the native gigantic megalithic constructions, some of them submerged, like the controversial underwater cyclopean masses in the tip Isekiu or Iri-Zaki, in the island of Yonaguni, near Okinawa in the South of the Japan.

All these ideographical characters  are not further than the signs of Lemur's and Atlanteans symbology, that gave the way of our primary culture during our Fifth Race or Aria Race to our modern writing as at present we know currently.

An archaeological trace that can be equivalent in importance to the Champollion's Rosetta Stone is  written in hieroglyphic, demotic and Greek, we find it in the pillar that shows off the edict of Ashoka, a lippy of the Indian epoch of Maurya, from  the century III B.C., in which, a bilingual wake can be appreciated carved in Pracrit (ideographic) and Devanagari (ideological or syllabic).